From Méliès to New Media

Autoreninformationen

Wendy Haslem teaches and researches the intersections of film history and new media. At present, she is a lecturer in screen studies at the University of Melbourne. She is a co-creator of The Godzilla Project, an interactive, multimedia portal designed to introduce students to film history, atomic culture and trauma cinema using 1950s disaster films. Wendy teaches in screen studies and arts and cultural management, coordinating subjects that include film noir, censorship and exhibition.

Inhaltsverzeichnis

List of Illustrations

Acknowledgements

Introduction: Beginnings and Ends: Historical Collusion 

Chapter 1: Cigarette Burns and Bullet Holes: Celluloid Cues in Digital Cinema

Section I: Early Cinema: Colour and Spectrality

Chapter 2: Applied Colour: Chromatic Frankenstein's Monsters?

Chapter 3: The Serpentine Dance Films: 'Dream Visions That Change Ten Thousand Times a Minute'

Section II: Luminescence, Montage and Frame Ratios

Chapter 4: Memory and Noir: Neon Contrasts 

Chapter 5: Cutting: Shock and Endurance

Chapter 6: Screens, Scale Ratio: Vertical Celluloid in the Digital Age

Section III: Cinema Beyond the Frame

Chapter 7: Hallucinatory Framing and Kaleidoscopic Vision

Chapter 8: Ephemeral Screens: The Muybridgizer

Bibliography 

Index

Produktdetails